What’s more, unlike many plug-in reverbs, stereo patches tend to hold up pretty well when a mix is auditioned in mono. Pre-delay can be set in milliseconds or sync’ed to host tempo, and there’s a continuously variable stereo width control. Also, I can’t end this review without mentioning a few other neat features. This is especially true of the Decay Rate EQ, where even curves that look terrifying often yield highly usable results. The clever design means not only that a handful of controls open up endless sonic possibilities, but that it’s also very hard to make Pro-R sound bad. It’s as adept at cathedrals and churches as it is at small spaces, and most of all, enables you to get good sounds quickly. In fact, although it doesn’t sound especially Lexicon-esque, I’d say Pro-R has the same strengths as some of the high-end Lexicon reverbs: given a source sound and a mix into which it needs to be bedded, it makes the process of finding a setting that works effortless.
This user-friendly plug-in offers controls such as Brightness, Character and Distance to achieve the reverb sound you are looking for.
The FabFilter Pro-R (Download) is a professional reverb plug-in offering a range of great sounds without over-technical controls.
FabFilter has released an update for all FabFilter plug-ins. FabFilter Pro-Q 2 is a top-quality EQ plug-in with perfect analog modeling, linear phase processing and a gorgeous interface with unrivalled ease of use. This is about the headway of another age so as to consummately compose the substance of music. The Voice and VST32 sound quality are currently accessible.
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